The SAJA Photo Forum
presents the work of photographers covering South Asia and its global
diasporas in order to highlight
important but often overlooked stories.
Tibetans in Exile, A
Suspended Identity (India, 2007)
Our identity comes from
the earth.
Larry Towell, No Man’s
Land
Text and photographs © Viviane Dalles
P.Y. breaks down in
tears. She is an 11-year-old girl at the refugee centre in MacLeod
Ganj. I come close to her and ask her why she is crying. Sobbing in
the corner, she has just realised that someone has stolen her bag. At
the heart of the matter, it isn't because she has lost her bag that
she breaks down. It goes deeper. She is in tears because she has come
alone to India, she misses her family and she has absolutely no one
to talk to. The isolation that all this creates is too much for a
young girl. The women gather around and try to console her. Like many
parents, P.Y.’s parents have made the sacrifice of sending
their daughter to India in the hope she will receive a Tibetan
education and be under the protection of the Dalai Lama.
Ever since the
fourteenth Dalai Lama, Tenzin Gyatso, was forced to flee the Chinese
army in 1959, more than 150,000 Tibetans, including women, children,
and the elderly, have risked their lives crossing the Himalayas.
July 2007: I travel to
MacLeod Ganj in Himachal Pradesh. Neighbouring Dharamsala, it is the
seat-in-exile of his Holiness the Dalai Lama. It is a strange land,
an in-between land. It rises 2,000 metres above the Indian landmass
and culture, but it is also home to a Tibetan culture that makes us
forget which country we are in. This same in between-ness is
reflected in the situation of the refugees.
G., 30, is a Buddhist monk. He came to India to visit His Holiness and talk with him about the situation in Tibet. Even though he would like to stay in India, he made the choice to come back to Tibet to take care of his family. That's why he wants to hide his identity.
I don’t touch my
camera for three or four days. I feel like a disoriented observer who
arrives with a head full of the events the Tibetans have undergone. I
find myself in a paradoxical universe where tourists and Buddhist
followers rub shoulders with the Tibetans in a troubled atmosphere.
Dressed in her traditional clothes, an old Tibetan woman who has just
arrived at the refugee centre is photographed by curious tourists.
She stands up and then walks into the centre in silence, passing by
the tourists. They are well satisfied with their photographs. The two
universes come close but do not touch.
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